Variety vocal art in the context of integration into society of the future
| dc.contributor.author | Drozhzhina, Nataliya | |
| dc.contributor.author | Yeroshenko, Olena | |
| dc.contributor.author | Davydov, Serhii | |
| dc.contributor.author | Shchepakin, Vasyl | |
| dc.contributor.author | Breslavets, Halyna | |
| dc.contributor.author | Osypenko, Viktoriia | |
| dc.date.accessioned | 2026-05-11T07:02:30Z | |
| dc.date.issued | 2022 | |
| dc.description.abstract | The urgency of the research is determined by the intensive development of new technologies as prospects for further development of society. Art accumulates intellectual, spiritual, material, and value heritage of previous epochs and determines the perspective features of the future. Vocal art is thereby one of the manifestations of individual ideological rethinking. Variety as a socio-cultural phenomenon combines different styles of music, genres, types, and aspects of professional music and vocal performance, which is important for the research in the context of social rethinking of future social development. Objective of the article is to determine specifics of pop vocal art, its longterm development as an aspect of integration into society of the future. The article reflects the essential characteristics of the concept of pop vocal art and worldview perception of art as an aspect of the future society. In the process of research a method of abstraction, descriptive method, methods of analysis and synthesis were used in the theoretical substantiation and characterization of pop music as a vocal art. The method of generalization and systematization was used to determine the results of the research. The results became the basis for asserting the importance of pop vocal art in the further development of society. | |
| dc.identifier.citation | Drozhzhina N., Yeroshenko O., Davydov S., Shchepakin V., Breslavets H., Osypenko V. Variety vocal art in the context of integration into society of the future // Postmodern Openings. 2022. Vol. 13, no. 4. P. 1-13. | |
| dc.identifier.doi | https://doi.org/10.18662/po/13.4/502 | |
| dc.identifier.orcid | https://orcid.org/0000-0001-9632-1746 | |
| dc.identifier.orcid | https://orcid.org/0000-0001-8197-0807 | |
| dc.identifier.orcid | https://orcid.org/0000-0002-0726-0230 | |
| dc.identifier.orcid | https://orcid.org/0000-0001-7616-9687 | |
| dc.identifier.orcid | https://orcid.org/0000-0002-8119-4980 | |
| dc.identifier.orcid | https://orcid.org/0000-0002-2847-190%D0%A5 | |
| dc.identifier.uri | https://repo.num.kharkiv.ua/handle/num/1912 | |
| dc.language.iso | en | |
| dc.publisher | LUMEN Publishing House | |
| dc.subject | Поп-вокальне мистецтво, поп-співаки, цифрова трансформація в музиці, інноваційні технології музичні | |
| dc.title | Variety vocal art in the context of integration into society of the future | |
| dc.type | Article |
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