Pastoral in instrumental and vocal music 18-21 centuries: genre invariant and performance

Abstract

The article presents two aspects of revealing the theme of pastoral the emblematic genre of the Baroque and Classicism epochs in the subsequent musical and historical context: typological which made it possible to collect a summary genre portrait, or a structural-semantic invariant of the genre; axiological indicates the degree of actualization of the genre in the context of the performing practice of musical culture of the twentieth century.